Bill frisell east west rar

Flowers 6. Thanks-A-Lot 7. New Year's Eve 8. Ethanopium 9. Glass Of Wine Shave Your Beard Pow Pow Connect Four. Todas las canciones son cantadas por la subyugante voz de una camboyana, cantando en su propio idioma. Moebius8 22 de junio de , Moebius8 22 de julio de , De ArtieC febrero 16, Orbitando 2. Le Caine 5. Un disparo de luz 6. Planeta agua Villegas De Moebius8 noviembre 11, Speak To Me 2.

Breathe 3. Nonesuch Records. I Heard It Through the Grapevine 2. Blues for Los Angeles 3. Shenandoah 4. Boubacar 5. Pipe Down 6. My Man's Gone Now 2. The Days of Wine and Roses 3. You Can Run 4. Ron Carter 5. Interlude 6. Goodnight Irene 7. The Vanguard 8. People 9. Crazy One thing that has remained consistent is Frisell's brilliance as a live performer, particularly in a trio setting And it was worth the wait: This is the most satisfying record he's released since 's "Good Dog, Happy Man," and one of the best of his career.

The two trios are vastly different. In general terms, the Krauss trio works by accumulation, presenting a monolithic block with Frisell using delay and loops to build up layers of sound, and aims to mesmerize, while the Scherr trio, which operates much closer to traditional jazz, works by disruption, refusing to entirely cohere, dislocating phrases mid-thought.

Wolleson, essentially a groove player in the Krauss trio and a monstrously good one , becomes an interactive, improvising presence in the Scherr trio. In both settings Frisell is a wonder, but if I had to pick a single track that shows the possibilities of what he's capable of these days in a trio setting, it would be the minute "Ron Carter" off of "East. There are plenty of great note improvisers and plenty of great sound improvisers, but very few, like Frisell, have a true mastery of both, and it can be awe-inspiring to hear him manipulating his sound with such creativity while simultaneously playing a solo that Jim Hall would be proud to have formulated.

For any skeptics of modern jazz, this should be required listening. Weird Nightmare 2. Love Field 3. Shamed Into Love 4. Gigi 5. Poor Napoleon 6. Baby Plays Around 7. The two trios are vastly different. In general terms, the Krauss trio works by accumulation, presenting a monolithic block with Frisell using delay and loops to build up layers of sound, and aims to mesmerize, while the Scherr trio, which operates much closer to traditional jazz, works by disruption, refusing to entirely cohere, dislocating phrases mid-thought.

Wolleson, essentially a groove player in the Krauss trio and a monstrously good one , becomes an interactive, improvising presence in the Scherr trio.