Behringer europower pmp1000 service manual

Table Of Contents. Quick Links. Table of Contents. User Manual. Previous Page. Next Page. Ultra-compact watt 5-channel powered mixer with multi-fx processor and fbq feedback detection system 12 pages. Behringer eurolive professional series users manual b pro b pro bx 10 pages. No user serviceable parts inside; refer servicing to qualified personnel.

For many years we have been successful in developing products for studio and live use. These include microphones and 19" These faders are used to set the monitor output volume see also PMP The main mix allows you to control the volume from the Main 1 output with both faders.

The PMP Page 9: Installation AC power cord. Of course, all inputs and outputs work with both balanced and unbalanced connectors. The Speakon especially developed for high-power loudspeakers.

Once it is plugged in, it safely locks into position and cannot be accidentally disengaged. Two active monitor must be set speakers for on-stage operation are connected to the preamp monitor output. The two loudspeaker outputs provide the main and the monitor signals, separately from each another. Each of these signals is then sent to two speakers wired in parallel. Alternatively, please submit an online warranty claim at behringer. All inquiries must be accompanied by a description of the problem and the serial number of the product.

Where applicable, MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety 90 days from date of purchase. It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product. Such costs will also be invoiced separately when the buyer has sent in a written repair order.

Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction. No other person retail dealer, etc. It supersedes all other written or oral communications related to this product.

Right from the very start it has been our goal to design a revolutionary unit that can be used for a wide variety of applications. Indeed, this overwhelming power mixer gives you plenty of functionality and a broad range of connection and expansion options. The sound quality may diminish within the range of powerful broadcasting stations and high-frequency sources. Increase the distance between the transmitter and the device and use shielded cables for all connections.

Further advantages are the integrated Voice Canceller that removes vocal passages from playbacks, the FBQ function, which detects feedback frequencies, and the Speaker Processing function for loudspeaker alignment—all with a resolution of 24 bits and 40 kHz. Should your country not be listed, please contact the distributor nearest you. For many years we have been successful in developing products for studio and live use.

These include microphones and 19" units of all types compressors, enhancers, noise gates, tube processors, headphone amplifiers, digital effects, DI boxes, etc. Our entire technical know-how has gone into your PMP power mixer. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage which may have occurred during transit.

Otherwise, claims for damage or replacement may not be granted. To provide you with a clear structure, we have grouped the control elements according to their function. They can easily be found on the enclosed numbered illustrations. If you need more detailed information on specific topics, please visit our web site at behringer.

Control Elements A detailed description of all functions of your power mixer can be found in the following chapters. Please also refer to the enclosed sheet with the numbered illustrations to get a good overview of the control layout. Be sure to set this control fully counter-clockwise before you connect or disconnect a signal source to an input.

The mains connection is made using the enclosed power cord and a standard IEC receptacle. It meets all of the international safety certification requirements. For your own safety, never remove or disable the ground conductor from the unit or on the AC power cord. The stereo channels contain a stereo EQ section. The cut-off frequencies of the high and low bands are 12 kHz and 80 Hz respectively, while the center frequencies of the high-mid and low-mid bands are 3 kHz and Hz respectively.

Accordingly, the PMP also has two effect aux buses, which have one output jack in common see 46 and It determines the relative volume of the left and right input signals before they are routed to the stereo main output. The pre-fader signals monitor buses remain operative. Never use both at the same time! The mono signal will then be reproduced by both sides equally.

Insert points or simply inserts are used to process a signal with dynamic processors or equalizers. Unlike reverb and other effects, which are usually added to the dry signal, dynamic processors usually process the entire signal.

So, aux send buses are not the best solution. Dynamic processors need to be inserted directly into the signal path. Once processed, the signal then returns to the mixing console at the same point where it left. All mono input channels are equipped with inserts. The signal will then be reproduced on both sides. Like the other channels, they also feature a PFL switch. In most cases, dynamic microphones can still be used, as long as they are connected in a balanced configuration.

If in doubt, please contact the manufacturer of your microphone! After switching on, please allow the system to stabilize for about one minute, before you adjust the input gain. Never use unbalanced XLR connectors pins 1 and 3 interconnected on the MIC input jacks, if you are going to use the phantom power supply.

Frequencies causing feedback are shown by brightly lit fader LEDs. All other LEDs will be darker. Now, cut the frequency range in question until feedback disappears the LED gets darker or goes out. This function is available for both the main and monitor mix. When not pressed, the stereo equalizer processes only the main mix. When the switch is pressed, the EQ processes only the monitor mix. Please read the information given on the rear panel of the power mixer. If the speakers have a limited frequency response in the bass range, this function allows you to filter this range at the output signal of the mixer and thus adapt it optimally to the frequency response of the speakers.

During pauses you can prevent the microphones from picking up noise or interference, which would then be reproduced by the P. There is also no need to move the faders and lose your mix.

In the center position the frequency response is not effected. To boost or cut a certain frequency range, simply move the corresponding fader upward or downward respectively. Make sure that the Clip LED illuminates with signal peaks only. If it is constantly illu-minated, the effects processor is overloading, which can lead to unpleasant distortion.

No effect is sent to the monitor mix when this control is set fully counter-clockwise. No effect is sent to the monitor 2 mix with this control turned fully counter-clockwise. Use the PFL switch to monitor the signal. No effect is sent to the main mix with this control turned fully counter-clockwise. This is a built-in effect, which widens the stereo panorama, thus making the sound more lively 43 and transparent. If AFL is on for the corresponding channel in the main section, you will only hear the signal from this channel.

Its volume can be adjusted with the fader. PMP FX fader. This is the master send fader for the signal routed to the effects processor and to the FX SEND output 63 see also 11 and These faders are used to set the monitor output volume see also 9 and The main signal is also provided at the MAIN 1 output see also This value can be adjusted from 30 to Hz. This function can be used for karaoke, i.

This connection enables you to use the power amplifier of the device to amplify the output signal of another preamp. For example, it is possible to connect a larger mixer or preamp output line signal of an instrument amplifier.

In this case, you only need an unbalanced, mono jack cable. Here, a balanced, stereo jack cable is required and the assignment of tip and ring needs to be observed according to Figure 4. In this case, the ring is the so-called Send, which is connected to the input of the additional device, and the tip is referred to as Return, which is connected to the output of the additional device.

A balanced, stereo jack cable is required with the ring not the tip connected to the input of the external power amp.

The PMP has the additional possibility of setting the low-frequency range for the subwoofer.